Light on the Serengeti

 

A few people have asked why I have a pic­ture of the Serengeti plains on the bio page of my website.

The an­swer is simple: this is my fa­vour­ite photo from a trip to Tanzania. In fact, I like it so much, I re­cently had it en­larged into an 1836-inch can­vas wrap that now hangs in my house.

It was taken when our two sa­fari jeeps stopped lit­er­ally in the middle of nowhere, away from the kopjes where ex­tens­ive lion prides lolled and the life and death drama of wilde­beest and cro­codiles along the Mara River. I wasn’t the only per­son struck by the raw, open beauty; our little herd of thir­teen hu­mans was mostly si­lent, ex­cept for a few whispers.

Some people ask why I didn’t choose a pho­to­graph with an­im­als. Believe me, I have tons of pho­tos fea­tur­ing ele­phants, leo­pards, mon­keys and more. But, to me, the Serengeti im­age goes deep­er. It’s about the land and sky, the smell and feel of Africa, and the way the sun touches it all. It’s a place, once vis­ited, that is nev­er forgotten.

The im­mens­ity of this land­scape that can stretch be­yond hu­man sight vi­brates with a si­lence that is palp­able. Eyes scan the ho­ri­zon while ears feel wide open, hear­ing only the gentle rust­ing of golden grasses.

There was a sense of won­der and an­ti­cip­a­tion, know­ing that even though the land ap­peared bare of life, there was the pos­sib­il­ity that at any mo­ment, a lion, cheta, zebra or buf­falo could set paw or hoof in our viewscape.

Even though it’s hanging in the hall, I can see the Serengeti im­age from my bed. If I wake up at the right time, the sun shines in through a win­dow, high­light­ing only the sky por­tion of the pic­ture. It looks like the sun is rising in the Serengeti.

While the morn­ing light works its ma­gic, I of­ten con­sider the vast land­scape of my life – some be­hind me, some yet to come — and all the pos­sib­il­it­ies there are to explore.

As a writer, these of­ten re­volve around my cur­rent pro­ject. Will I fin­ish the chapter I’m work­ing on today? The en­tire book by the end of the year? Or will the story sud­denly fol­low a dif­fer­ent tan­gent, tak­ing me on a new journey?

The end­less po­ten­tial for com­bin­ing ideas and words is an as­pect of writ­ing that I’m par­tic­u­larly fond of. And now the Serengeti re­minds me of that every day.

Copyright on all pho­tos Paula Wild

 

The pros and cons of writing with a view

 

Waves pound­ing on a rocky out­crop­ping, an eagle perched in a fir tree, the sky drenched in pink and or­ange as the sun slips be­yond the ho­ri­zon. Every writer dreams of a view like this. But is it be­ne­fi­cial? Does it beck­on the cre­at­ive muse? Nudge you into writ­ing faster and better?

In my thirty-plus years as a writer, I’ve worked in many spaces. The first was at a desk in the corner of the liv­ing room. My nine-year old step­daugh­ter had a tough time un­der­stand­ing why she wasn’t sup­posed to in­ter­rupt me.

But I’ve also been lucky enough to write where I had views of wa­ter, treed areas and wild­life. I fondly re­call the little sum­mer house I ren­ted as a private writ­ing re­treat from Shannon and Brian on their is­land sanc­tu­ary in the Nuchatlitz archipelago.

I loved my writ­ing re­treat in this little cab­in and spend­ing time with Shannon and Brian at Nuchatlitz.

My fa­vour­ite writ­ing space, how­ever, was in an Arts & Crafts her­it­age house I lived in for dec­ades. Two huge transom win­dows provided ex­pans­ive views of dog­wood trees, large flower­ing shrubs, and maple trees with leaves as big as din­ner plates.

Visual memor­ies in­clude a snow­fall of pink cherry blos­soms, a hum­ming­bird pier­cing a small owl’s breast with its beak, and a deer lick­ing the in­side of a fer­al rabbit’s ear.

This is where I wrote a weekly arts column for the loc­al news­pa­per, hun­dreds of arti­cles for main­stream and al­tern­at­ive magazines and six non-fic­tion books. But this was not my most pro­duct­ive writ­ing space. That was a tiny room upstairs.

An en­gross­ing book to work on, The Cougar de­man­ded my full at­ten­tion. The phone and even the sound of my part­ner walk­ing around in oth­er areas of the house were un­wel­come intrusions.

So I took my laptop to the grey room. The only fur­niture was a bed, a desk and a book­case. To my de­light, I couldn’t hear any­thing in the rest of the house. And I didn’t have ac­cess to the Internet, so an­oth­er dis­trac­tion was eliminated.

There was an un­ex­pec­ted quirk, though. The desk faced the win­dow, and I couldn’t work with the light shin­ing in my eyes. There was no room to move the desk, so I closed the blinds. Then I real­ized that light from the oth­er bed­room shone in the open door­way, cre­at­ing glare on my screen. I shut the door, only to dis­cov­er that the light from the over­head fix­ture also cre­ated screen glare. So, I turned it off.

I didn’t know if I could write solely by the light of my laptop screen. But strangely, it worked. I felt like a cap­tain at the helm of a space­ship ca­reen­ing into out­er space. I couldn’t hear any­thing, see any­thing, or google any­thing. It was just me and The Cougar. And I wrote up a storm.

The up­shot? Having a view to write by is lovely but not ne­ces­sar­ily the most effective.

That said, no mat­ter where you shape your stor­ies, it’s al­ways a good idea to peri­od­ic­ally give your eyes a break from the screen. That’s the per­fect time to find a win­dow with a view. And if you have time, to go out­side into it.

Top im­age is the view from one of the win­dows in my former her­it­age house. 

 

 

Lighting up the dark…

2020 turned into a weird blip in the 21st cen­tury, where life as we know it, took an ab­rupt and life-chan­ging shift. For many, it has been marked by fear, bore­dom and frustration.

And now it’s the shortest, darkest day of the year. Winter Solstice, the of­fi­cial be­gin­ning of winter. What could be more bleak than that?

But when I look out­side, I can’t help but smile. My neigh­bor­hood and many oth­ers are ablaze with col­our­ful lights and dis­plays. The hol­i­day sparkle began  early this year. I be­lieve it’s hu­man­kinds way of light­ing up the dark in the midst of a glob­al pandemic.

Reflecting on my per­son­al life dur­ing the Time of Covid, I also see some light. One of my most re­ward­ing ex­per­i­ences was a Covid-safe writ­ing re­treat at Cluxewe Resort on Northern Vancouver Island.

Welcome sign and my cab­in at Cluxewe Resort

My cab­in provided a view across Queen Charlotte Strait to the BC main­land, a stun­ning es­tu­ary a short dis­tance to the rear and, per­haps most im­port­ant of all, time.

I op­ted to not hook up to Wi-Fi or turn on the big screen TV so my sound­scape con­sisted of eagles call­ing, pound­ing surf dur­ing a big storm and rain­drops beat­ing a stac­cato rhythm on the met­al roof.

Nature was my only dis­trac­tion and with it came a feel­ing of space, as if the vast­ness out­side had seeped into my mind, provid­ing room to pon­der the book I’m work­ing on and what dir­ec­tion it will take me. The oas­is of that little cab­in and the time and space it provided were pre­cious gifts in a year of un­cer­tainty and upheaval.

Cluxewe River estuary

And, al­though there is still an abund­ance of dark­ness in each 24-hour stretch, light is on the way. The Winter Solstice means minutes of light will be ad­ded to each day and, even bet­ter, Covid-19 vac­cines are on the way.

As 2020 comes to a close, I hope every­one can find some time to think about what lights up their life (even dur­ing Covid) and take at least one small step to make that happen.

Top im­age by Dzenina Lukac

Creativity and Covid-19

Covid-19 and the res­ult­ing re­stric­tions are like liv­ing in a sci­ence fic­tion movie only the end doesn’t ar­rive in two hours. We fret about toi­let pa­per, people who in­vade our two metre space and loved ones that are now kept at a dis­tance. The tilt in our world was sud­den and the fu­ture re­mains uncertain.

People cope with stress and change in dif­fer­ent ways. My in­stinct was to sleep and for the first month I clocked in nine hours or more a night plus an af­ter­noon nap. I haven’t slept that much since I was a teenager.

My partner’s cop­ing crutch is chocol­ate. During the first week of phys­ic­al dis­tan­cing, Rick brought home two gi­ant slabs of chocol­ate cake, two pounds of Belgian chocol­ate and two boxes of chocol­ate cook­ies. At some point, we real­ized that ex­cess­ive sleep­ing and gor­ging on chocol­ate was not sus­tain­able long-term.

I turned, as I have for much of my life, to writ­ing. To me, writ­ing is a place in my mind where there are many doors and end­less op­por­tun­it­ies for ex­plor­a­tion and adventure.

But on oc­ca­sion, it’s dif­fi­cult to ac­cess this place. For a while, Covid-19 was an in­vis­ible wall res­ult­ing in lots of white space on my laptop screen. And I wasn’t the only one. Artists aban­doned their easels; some writers didn’t even turn on their computers.

So, how to prime the cre­ativ­ity pump in the midst of a glob­al pan­dem­ic? Unfortunately, there’s no ma­gic trick to se­duce the muse into a vis­it. But go­ing for a walk can pro­duce start­ling results.

According to an art­icle by psy­cho­lo­gist Sian Beilock in “Psychology Today,” an abund­ance of con­cen­tra­tion can kill cre­ativ­ity.  On the oth­er hand, do­ing some­thing that re­quires only a small amount of con­cen­tra­tion such as wash­ing the car, va­cu­um­ing the rug or brush­ing the dog of­ten al­lows the brain to con­nect thoughts in new and per­haps un­usu­al ways.

When I told chiro­pract­or, Alicia Steele, that I fre­quently find solu­tions to writ­ing prob­lems while walk­ing, she ex­plained that the bi­lat­er­al move­ment of arms and legs pro­motes activ­ity in both sides of the brain.

Taking a break and do­ing some­thing re­l­at­ively mind­less can en­hance cre­ativ­ity. The trick is to not think about the prob­lem you’re try­ing to solve.

As for stress, I’ve al­ways found writ­ing an es­cape from the wor­ries my brain chooses to ru­min­ate on and sus­pect many cre­at­ive folks feel the same.

No one ex­plains it bet­ter than Graham Greene in Ways of Escape: Writing is a form of ther­apy; some­times I won­der how all those who do not write, com­pose, or paint can man­age to es­cape the mad­ness, mel­an­cho­lia, the pan­ic and fear which is in­her­ent in a hu­man situation.”

Photo by Rick James