On the Edge

A couple of years ago I worked on a photo-doc­u­ment­ary pro­ject with pho­to­graph­er Barry Peterson. We in­ter­viewed and pho­to­graphed people who were home­less, had been home­less or were in danger of be­com­ing homeless.

The stor­ies were mov­ing in a way I nev­er ex­pec­ted. I learned that no mat­ter where or how a per­son lived, they still had hopes and dreams, just like I do. They ex­per­i­enced joy, sad­ness, fear. They did whatever was ne­ces­sary to survive.

Every October I post one of the stor­ies and pho­tos from that pro­ject on my blog. I do this to hon­our the people I met, to re­cog­nize their strength in the face of ad­versity and their abil­ity to find hu­mour in the bleak­est of moments.

Below is Jessica’s story. I got an email from her last year. She’d had her op­er­a­tion, was do­ing some vo­lun­teer work and was dat­ing. There were still chal­lenges in her life but she was happy.

Jessica, age 45 

      Jessica had it all: a spouse, a car, a job and a house in Europe. But every time her life seemed per­fect, it fell apart. At 28, di­vorced and un­em­ployed, a friend stuck a needle in her arm to make her feel bet­ter. That was the be­gin­ning of a 12-year cycle of drug ad­dic­tion, re­hab, build­ing a life and then dis­ap­pear­ing into the streets and drugs again.

As a home­less per­son Jessica has been beaten un­con­scious and ur­in­ated on in Victoria, wit­nessed murders in Vancouver’s Downtown Eastside and got­ten food pois­on­ing from dump­ster diving. She’s been pro­nounced DOA three times and, while liv­ing in a Courtenay tent city, bull­dozers flattened her tent and be­long­ings. “When you’re home­less people look at you like you’re not worthy of breath­ing the same air,” she says. “But I’ve met lots of in­tel­li­gent, ar­tic­u­late people on the street. Heroin and co­caine don’t discriminate.”

Two years ago Jessica real­ized the only way to beat her drug ad­dic­tion was to deal with the fact that she was a fe­male stuck in a man’s body. She’d grown up in Ontario and Victoria and was a jock in high school. But when she was 17 her moth­er dis­covered her hid­den girl clothes. After that trau­mat­ic scene, Jessica did everything she could to hide her sexu­al­ity. But 25 years later she knew she had two choices: live her life as a wo­man or com­mit sui­cide. A street nurse helped her ob­tain hor­mone ther­apy and Jessica moved to Courtenay to make a clean start. She cur­rently lives in a small base­ment room, is drug-free and eagerly await­ing her va­gino­plasty. Once her trans­ition is com­plete she wants to be­come an esthetician.

Jessica’s grate­ful to be off the street but life’s a struggle. After rent, there’s less than $100 for gro­cer­ies and with “38D boobs and a voice like Joe Cocker,” she’s of­ten faced with cruel and even vi­ol­ent be­ha­viour when out in pub­lic. “It’s sad that people fear and ri­dicule trans­gendered people,” she says. “It’s some­thing that hap­pens at birth, not a mat­ter of choice. I’m happy now; I wish people could ac­cept that.”

 

The Dark Sources of Creativity — guest blog by Susan Ketchen

Readers of my nov­els of­ten shake their heads when they fi­nally meet me and say, “Where do you get your crazy ideas?”

 I usu­ally brush them off with jokes about my over-act­ive ima­gin­a­tion, and about how ideas come eas­ily when I’m lost in thought (some­thing that hap­pens more and more these days) in the shower or in the pas­ture with my horses, though of course nev­er while house cleaning.

These re­sponses are di­ver­sions from a dark­er truth.

I am in­spired by mis­takes, mis­deeds and transgressions.

Sometimes the mis­takes are my own. I seem to feel that I can re­deem my­self by dis­guising my own ri­dicu­lous be­ha­viour in the deeds of a char­ac­ter. For ex­ample, in a piece about the per­ils of self-de­lu­sion, I fic­tion­al­ized an in­ter­ac­tion I had with a neigh­bour. His lovely garden was be­ing decim­ated by deer so he in­stalled an ul­tra-son­ic deer repeller.

Unfortunately I could hear it. I was re­luct­ant to com­plain, but found I could not ig­nore the noise and after a few days tromped next-door for a chat. Perhaps he could turn it down? He thought he might try, or he would just re­turn it to the store.

Two nights later I was again at my bed­room win­dow, steam­ingly in­dig­nant be­cause I could still hear that aw­ful high-pitched noise. I really didn’t want to com­plain again, but that night I needed earplugs to sleep, and how fair was that?

The source of cre­ativ­ity — and all the twis­ted turns it takes — will forever re­main a mys­tery. Photo by Susan Ketchen

So the next day I re­turned to my neigh­bour. I wasn’t sure what to say. What if he didn’t be­lieve me? Or thought I was be­ing a pest? I muttered some­thing non­sensic­al to him. And he told me he’d re­turned the unit two days be­fore, gen­er­ously adding that I must have been kept awake by some­thing else.

This dark event has so in­spired my cre­ativ­ity that not only did I de­vote sev­er­al chapters of my nov­el to the puzzle of self-de­lu­sion, but I am still writ­ing about it here. I fear I may nev­er sort it out.

I have also used the trans­gres­sions of oth­ers to in­spire my writ­ing. And it seems that my memory is very long when someone wrongs me. From grade one through three, I was so­cially se­cure at school. In fourth grade two new girls ar­rived. They were exot­ic be­cause they were twins. They had lovely clothes, were smart and so­cially gregari­ous, and one of them pushed me down in fun on the play­field and hurt my back! I also toppled from the so­cial scene. I felt as though I’d be­come in­vis­ible overnight.

Several dec­ades passed be­fore my wounded pride was re­paired by cre­at­ing Amber and Topaz in my nov­el Born That Way. I made the twins into a couple of stuck-up little girls who bul­lied my prot­ag­on­ist, Sylvia, but nev­er really got her down. Through Sylvia I ex­per­i­enced suc­cess man­aging a more dif­fi­cult situ­ation than I had faced ori­gin­ally. Apparently it’s nev­er too late to grow up.

For my next pro­ject I am con­sid­er­ing writ­ing about how we ra­tion­al­ize our treat­ment and train­ing of an­im­als. Controversy is every­where: there are train­ers and whisper­ers and be­ha­vi­or mod­i­fi­ers all over the place, and mostly they dis­agree with each oth­er. Plus they all have loy­al fol­low­ings, and people get quite heated when it comes to de­fend­ing their pets:  ad­vising someone that their dog needs bet­ter train­ing is nev­er met with grat­it­ude. Bad be­ha­vi­or abounds. Indeed, there are mis­takes, mis­deeds and trans­gres­sions every­where. It is a gold­mine of cre­at­ive inspiration.

All I need is a de­cent pseudonym.

Susan Ketchen is the au­thor of the nov­els Born That Way (2009), Made That Way (2010) and Grows That Way (2012), all pub­lished by Oolichan Books. Find out more about Susan on her web­site www​.susanketchen​.ca

Where I write

It’s true, a per­son can write any­where. On the bus, at a park bench or even in the bathtub. I be­lieve each per­son writes best when they’re in a place that is per­fect for them.

Some like the back­ground buzz of a cap­puccino bar while oth­ers thrive on the clat­ter of key­board keys as they pound out story after story in a news­pa­per news­room. Personally, I prefer the quiet am­bi­ance of my home of­fice. And, as the old­est room in our 96-year old house, the room def­in­itely has ambiance.

To be­gin with, its ample size provides plenty of room for two desks, built-in and port­able book­cases, a fil­ing cab­in­et (there are more in the base­ment) and two tables to pile things on. (Despite the best of in­ten­tions, I’m a piler, not a filer.)

But it’s the transom win­dows that I love best. At 1.6 metres tall by one metre wide  (or 5 feet, 3 inches and 3 feet, one inch for the met­ric­ally chal­lenged) the nat­ur­al light provides a wel­come res­pite from the glow of the com­puter screen.

And to tell the truth, they also present ample op­por­tun­it­ies for dis­trac­tion. In the spring my eyes are drawn to a snowstorm of white plum blos­soms, a mini­ature forest of daf­fodils and a two-storey tall mock or­ange. Fall storms bring a rust col­oured car­pet of plate-sized maple leaves.

The view from my win­dow one day this May.

But it’s the wild­life that lures me out of my com­puter chair. Over the years I’ve watched deer, rac­coons, mink and squir­rels, as well as fer­al cats and rab­bits out­side my writ­ing room window.

Then there’s the caw­ing of crows and ravens and the high pitched screech of an eagle. Or the ca­co­phony of sound an army of small birds made the day a Barred owl perched in a Douglas fir. I watched as a hum­ming­bird dar­ted for­ward to stab the en­emy in the chest with a tiny beak. Despite his or her bravery, the owl did­n’t budge.

The most sur­pris­ing dis­turb­ance though, was the day my fin­gers paused on the key­board as I wondered why I thought I heard a tur­key gob­bling. We do live in a rur­al area but there aren’t any do­mest­ic fowl in the neighbourhood.

But when I peered out the win­dow there was a full grown tom, tail feath­ers fanned out in an im­press­ive dis­play, dan­cing around a flock of fe­male tur­keys on the lawn next door. I don’t know where these do­mest­ic birds es­caped from or how they went wild, but they hung around for a month or so, un­til one by one, they all disappeared.

After 22 years of en­joy­ing a great view and hav­ing a ring­side seat to nature’s drama, I’m totally ad­dicted. If we ever move, at the top of my cri­ter­ia list for a new house will be a writ­ing space with big win­dows and a view.

 

Where I write

It’s true, a per­son can write any­where. On the bus, at a park bench or even in the bathtub. I be­lieve each per­son writes best when they’re in a place that is per­fect for them.

Some like the back­ground buzz of a cap­puccino bar while oth­ers thrive on the clat­ter of key­board keys as they pound out story after story in a news­pa­per news­room. Personally, I prefer the quiet am­bi­ance of my home of­fice. And, as the old­est room in our 96-year old house, the room def­in­itely has ambiance.

To be­gin with, its ample size provides plenty of room for two desks, built-in and port­able book­cases, a fil­ing cab­in­et (there are more in the base­ment) and two tables to pile things on. (Despite the best of in­ten­tions, I’m a piler, not a filer.)

But it’s the transom win­dows that I love best. At 1.6 metres tall by one metre wide  (or 5 feet, 3 inches and 3 feet, one inch for the met­ric­ally chal­lenged) the nat­ur­al light provides a wel­come res­pite from the glow of the com­puter screen.

And to tell the truth, they also present ample op­por­tun­it­ies for dis­trac­tion. In the spring my eyes are drawn to a snowstorm of white plum blos­soms, a mini­ature forest of daf­fodils and a two-storey tall mock or­ange. Fall storms bring a rust col­oured car­pet of plate-sized maple leaves.

The view from my win­dow one day this May.

But it’s the wild­life that lures me out of my com­puter chair. Over the years I’ve watched deer, rac­coons, mink and squir­rels, as well as fer­al cats and rab­bits out­side my writ­ing room window.

Then there’s the caw­ing of crows and ravens and the high pitched screech of an eagle. Or the ca­co­phony of sound an army of small birds made the day a Barred owl perched in a Douglas fir. I watched as a hum­ming­bird dar­ted for­ward to stab the en­emy in the chest with a tiny beak. Despite his or her bravery, the owl did­n’t budge.

The most sur­pris­ing dis­turb­ance though, was the day my fin­gers paused on the key­board as I wondered why I thought I heard a tur­key gob­bling. We do live in a rur­al area but there aren’t any do­mest­ic fowl in the neighbourhood.

But when I peered out the win­dow there was a full grown tom, tail feath­ers fanned out in an im­press­ive dis­play, dan­cing around a flock of fe­male tur­keys on the lawn next door. I don’t know where these do­mest­ic birds es­caped from or how they went wild, but they hung around for a month or so, un­til one by one, they all disappeared.

After 22 years of en­joy­ing a great view and hav­ing a ring­side seat to nature’s drama, I’m totally ad­dicted. If we ever move, at the top of my cri­ter­ia list for a new house will be a writ­ing space with big win­dows and a view.